Who we are
Established in 1880, The Stage is the UK’s leading publication for the theatre and performing arts industry. With a heritage spanning nearly 150 years, it has built a reputation as the most trusted source of news, reviews, interviews and career advice for theatre professionals, students and theatregoers alike. From its earliest issues reporting on Victorian playhouses to today’s in-depth coverage of West End productions, fringe theatre, touring companies and the wider performing arts, The Stage has remained at the heart of the industry. It is widely regarded as the definitive voice of British theatre, valued for its editorial integrity, industry insight and unwavering support for new and established talent. Respected by performers, producers, directors and casting professionals across the UK and beyond, The Stage continues to influence the careers of theatre-makers at every level. Its annual The Stage Debut Awards, The Stage Awards and The Stage 100 power list further cement its role as a vital platform for recognising emerging and established talent in live performance. The Stage is regularly cited by leading figures in the theatre industry. As Laurence Olivier stated “The stage would not be the stage without The Stage”. Olivier Award-winning actor Giles Terrera said: "It couldn’t be more important. We don’t often get to know what is going on in the rest of the industry, so [in] The Stage you can find what’s going on and find out about things that you’re not necessarily aware of when you’re in your production. The Stage has always been one of the most important aspects of being an actor, especially a theatre actor." Wicked star Jonathan Bailey commented: "The Stage is the sort of byword in the industry, there’s a mythical element to it, it’s brilliant. As a young performer people would always talk to me about The Stage, it’s a constant in an industry that sometimes doesn’t feel very consistent. Sharing the news in what is a very intricate industry, to be able to touch base and be a platform for discussion is so important."
The Stage provides a variety of services
Website
The Stage website is updated daily with the latest news, reviews interviews, in-depth features and advice on working within the performing arts industry.
Digital subscribers get unlimited access to website content.
Registered users can view up to three pages per month.
Print Edition
Top content from The Stage is curated into a weekly newspaper.
Print subscribers get the newspaper delivered directly to their door. The Print Edition is also available from newsagents nationwide. Or you can purchase a single trial copy here.
App
The Stage App fits your device's screen perfectly. It also features the digitised, page-turning version of the weekly Print Edition accessible via desktop computer, smartphone and tablet.
Click here to start your Digital subscription and download it onto your device of choice.
The Stage Jobs
This is the resource for all technical, creative and backstage roles as well as auditions. Register here to receive email alerts for free to be the first to apply for the latest vacancies.
If you are interested in advertising a role on The Stage Jobs please see our advertising options here.
The Stage Archive
Our archive is now available as part of the British Newspaper Archive. Register today to receive 3 free pages and start exploring theatre history including reliving opening nights, discovering forgotten stories and more.
Love Arts
The Stage’s very own dating site where you can find and meet up with cultured singles you’re most likely to click with.
Your Love Arts login is different to your other logins for The Stage.
Exact Editions - Digital Archive Platform
Our archive of fully searchable digital edition issues in partnership with Exact Editions which span a two-year period, is accessible cross-platform on web, iOS and Android and is available for institutional and individual subscriptions.
Our story
Business founded by Charles Carson and Maurice Comerford
The first edition of The Stage was published (under the title The Stage Directory – a London and Provincial Theatrical Advertiser)
The Comerford family takes full control of the business
The Stage was relaunched as The Stage and Television Today
The name on the masthead reverted to The Stage
Alistair Smith became Editor of The Stage
What is it like to work for The Stage?
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From my very first interview with The Stage team, I felt incredibly welcomed. What I love most about The Stage is that everyone is so friendly and always willing to help out. Whether you're a new employee or a seasoned veteran, everyone always says hello and makes you feel like a valued part of the team
Cordelia Tarbrooke
Social media executive
